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Critical Terms: Critical Terms for Art History (2003, Paperback)
A History of modern art : painting, sculpture, architecture, photography by H. Arnason, Elizabeth C. Mansfield Call Number: N Nineteenth century art : a critical history by Stephen F. Eisenman Call Number: N E Buchloh Call Number: N The story of art by E. Gombrich Call Number: N G Theories and documents of contemporary art : a sourcebook of artists' writings by Kristine Stiles Call Number: N T Theories of modern art; a source book by artists and critics by Herschel B.
Chipp Call Number: N C59 Encyclopedia of Comparative Iconography by Helene E. Roberts, ed. No online equivalent. Encyclopedia of themes depicted in artworks from the classical period to the 20th century. Entry on "Expulsion" details in part the visual narrative of the expulsion from the Garden of Eden, as depicted in Michelangelo's Sistine Chapel.
Excellent resource for researching the use of a theme in a work of art.officegoodlucks.com/order/62/3396-encontrar-movil.php
Critical terms for art history
E53 3 v. Encyclopedia of the Harlem Renaissance by Cary D. Wintz, Paul Finkelman, eds. Call Number: NX A35 E53 2 v. M Error rating book. Refresh and try again. Open Preview See a Problem? Details if other :. Thanks for telling us about the problem. Return to Book Page.
Nelson ,. Richard Shiff.
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But questions about the categories of "art" and "art history" acquired increased urgency during the s, when new developments in critical theory and other intellectual projects dramatically transformed the discipline. The first edition of Critical Terms "Art" has always been contested terrain, whether the object in question is a medieval tapestry or Duchamp's Fountain.
Introductions and anthologies for theory
The first edition of Critical Terms for Art History both mapped and contributed to those transformations, offering a spirited reassessment of the field's methods and terminology. Art history as a field has kept pace with debates over globalization and other social and political issues in recent years, making a second edition of this book not just timely, but crucial. Like its predecessor, this new edition consists of essays that cover a wide variety of "loaded" terms in the history of art, from sign to meaning , ritual to commodity.
Each essay explains and comments on a single term, discussing the issues the term raises and putting the term into practice as an interpretive framework for a specific work of art.
For example, Richard Shiff discusses "Originality" in Vija Celmins's To Fix the Image in Memory , a work made of eleven pairs of stones, each consisting of one "original" stone and one painted bronze replica. All help expand the book's scope while retaining its central goal of stimulating discussion of theoretical issues in art history and making that discussion accessible to both beginning students and senior scholars.
Mitchell, Robert S. Get A Copy. Paperback , Second Edition , pages. Published May 1st by University of Chicago Press first published More Details Original Title.
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